Tuesday, April 28, 2009
Protomembrana 2006
Protomembrana is a mechatronic lesson, in performance format, for a dreskeleton, an interactive audiovisual environment and several dynamic interfaces.
Metamembrana Installation Demo
Demo of Marcel·lí Antúnez Roca's installation Metamembrana presented in 5 cities of Cataluña between January and February 2009.
Metamembrana 2009
Metamembrana is an interactive visual installation that consists of a wide-screen projection and several interfaces. Metamembrana works simultaineously in five venues: Lleida, Olot, Reus, Granollers and Barcelona, creating an interactive network amongst them.
Friday, August 3, 2007
Hipermembrana Promo 2007
Preview of Marcel·lí's new performance HIPERMEMBRANA which will be premiered at Festival Temporada Alta de Girona and Art Futura Barcelona 2007.
Monday, April 16, 2007
DMD Europa
Dynamic Mural is an interactive installation that shows a mural that was painted over a period of a week in a film that's only a few minutes long. Spectators can interact by changing the perspective and the speed of the projection.
Thursday, March 22, 2007
Marcel·li Antunez - Transpermia 2003
A mechatronic conference presenting the Dedalus project and its micro performances at zero gravity as well as the Transpermia theory.
Marcel·li Antunez - POL 2002
A mechatronic story for five robots, a panoramic screen and two performers wearing dreskeletons (exoskeletal body interfaces)
POL is a story told by means of a mechatronic performance. It is an ironic and poetic fable for all ages, a scenic mutation resulting from the meshing of machines, images, sounds and performers.
Friday, March 16, 2007
Marcel·lí Antúnez - Epizoo 1994
Interactive mechatronic performance presented for the first time in 1994. A body robot, in the shape of a pneumatic exoskeleton, enables the spectator to control the performer's body using a mouse.
Thursday, March 15, 2007
Marcel·lí Antúnez - Aphasia / Afasia
Interactive Mechatronic Performance. One performer wearing a dreskeleton (an exoskeletal body interface) narrates a myth accompanied by four musical robots, interactive sound, virtual images and video.
Wednesday, March 14, 2007
Biography
The themes explored in his work include: the use of biological materials in robotics, as in JoAn l’home de carn (1992); telematic control on the part of a spectator of an alien body in the performance EPIZOO (1994); the expansion of body movements with dresskeletons (exoskeletical interfaces) sed in the performances AFASIA (1998) and POL (2002); involuntary choreography with the bodybot REQUIEM (1999); and microbiological ansformations in the installations RINODIGESTIO (1987) and AGAR (1999). He is currently working on the spatial and utopian artwork TRANSPERMIA.
Official Website